Theatre

The Method Acting Exercises Handbook

Samuel Beckett's Krapp's Last Tape

The Hair Stylist Handbook

Singing and the Actor

Encyclopedia of Warfare

William Forsythe

Theatre Audiences

Learning Through Theatre

The Explicit Body in Performance

Zen and the Art of Stand-Up Comedy

Psychophysical Acting

Theatre, Education and Performance

Spring Awakening

Theatre of Movement and Gesture

Is Shakespeare Still Our Contemporary?

Commedia Dell'Arte

Physicality and Acting

Melodrama as Provocateur

How to Succeed in Musical Theatre Without Really Dying

Acting

Adaptation in Musical Theatre

The Industry Guide to Musical Theatre Auditions

Climate Theatre

The Routledge Companion to Performance and Science

Out of the Black Box

Milestones in Actor Training

Acting the Michael Chekhov Way

The Neo-liberalization of Political Theatre in Punjab

Mattering Voices

Zoomers and Other Plays

The Soon Life

Carlo Boso

Matching Minds with Sondheim

Stephen Sondheim’s Sweeney Todd

Creativity in Theatre-Making

Acting Heightened Text

Being Black and British

Below the Waist: Pads, Hoops, Crinolines and Bustles

Improvisation Methods and Practices in Southeast Asia

Performing Censorship

Cambodian Rock Band

Queer Musicals

Jukebox Musicals

Historical Pattern Archive 2

Drama for Schools and Beyond

Practice, Research, and Cognition in Devised Performance

Embracing Disruption

Performance and Performativity of Dalit Students Politics in India

The Art of Drag

The Sense-Ability Ensemble’s Guide to Creating Theatre for Audiences that are Neurodiverse

Orchestration in Musical Theatre

Costumers at Work: The Collaborative Creativity, Emotional Labour, and Technical Skill of Costume Creation

Source Work for Actors

Theatre Fandom

Acting

Making Interdisciplinary Performance

The Musicals of Cole Porter

Theatrical Genre & Style

Mattering Spiritualities

Drama Games for Clowning and Physical Comedy