Dance

Hip Hop Dance

Bringing the Body to the Stage and Screen

Ageing, Gender, Embodiment and Dance

Fields in Motion

Rock 'n' Roll Dances of the 1950s

Teaching Dancing with Ideokinetic Principles

Embodied Performances

Disco Dance

Fifty Contemporary Choreographers

The Royal Ballet: 75 Years

Latin Dance

Butoh

Agency and Embodiment

Pedagogy and Human Movement

Keeping Together in Time

Writing Dancing Together

Dance, Human Rights, and Social Justice

Dance Writings and Poetry

Supervision of Dance Movement Psychotherapy

Rudolf Laban

Before, Between, and Beyond

Beyond Dance

Authentic Movement: Moving the Body, Moving the Self, Being Moved

Dancing Communities

Salsa and Its Transnational Moves

Nietzsche's Dancers

Social Choreography

Modern Dance Techniques and Teaching

Elements of Classical Ballet Technique

Merce Cunningham

Corporealities

Love Saves the Day

From Petipa to Balanchine

Alien Bodies

Offering from the Conscious Body

Dance on Screen

Dancing Into Darkness

The Six Questions

Dance

Attending to Movement

Asymmetrical-Motion

Maria Tallchief

Ballroom Dancing

Skolt Saami Dance

Meditative Dance Theatre in Contemporary Taiwan

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Diamond and Juba

Dancing Chineseness and Techno-Choreography

Popular Culture in South Asian Context

Tracing the Soul, Choreographing Transgression in Flamenco and Tauromaquia

Practitioner Perspectives on Dance Research

Wartime cinema, Englishness and propaganda

The Inherent Potential in Art Performance

Language of the Axis

Dance Code

Kinaesthetic Empathy, Ethics and Care

Like the Sea

Children Dancing in Bali

The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan

Behind the Red Velvet Curtain