Film History & Criticism

Transcultural Cinema

Breaking the Glass Armor

Historical Dictionary of Taiwan Cinema

The Superhero Symbol

Adventures in Shondaland

The Limits of Auteurism

The Films of Bong Joon Ho

Reel Inequality

Jean-Luc Godard’s Unmade and Abandoned Projects

A Companion to François Truffaut

The Art of Taking a Walk

The Hitchcock Romance

Revisioning History

Transgender Cinema

An Accented Cinema

Directing

Cinematernity

French Film Theory and Criticism, Volume 1

To Free the Cinema

Chinatown Film Culture

Interpreting Films

Working-Class Hollywood

The Palgrave Handbook of Holocaust Literature and Culture

Hollywood at the Intersection of Race and Identity

Literati Lenses

Hollywood on Location

The Modern British Horror Film

Race in American Film

Digital Music Videos

New African Cinema

Disney Culture

Superman

Monstrous Progeny

Historical Dictionary of South American Cinema

Conflict and Development in Iranian Film

The Toho Studios Story

A Companion to Television

A Companion to Literature and Film

Encyclopedia of Early Cinema

Interactive Cinema

The Palgrave Handbook of Comparative New Cinema Histories

Racial Blackness and Indian Ocean Slavery

Anime's Identity

Mists of Regret

Historical Dictionary of American Cinema

From Dead Ends to Cold Warriors

Pulses of Abstraction

The Films of Carlos Saura

Passions and Deceptions

American War Stories

Before Bemberg

Post-Communist Malaise

Damsels and Divas

Hollywood Diplomacy

After Authority

Border Cinema

Criminalization/Assimilation

Animated Encounters

Cinema between Latin America and Los Angeles

The Movies as a World Force

Liberating Hollywood

Destructive Sublime

Through the Crosshairs

The Zoom

Comic Book Movies

Going Viral

Unveiling Desire

A Companion to D. W. Griffith

Rock 'n' Roll Movies

Bodies in Suspense

Zombie Cinema

Modern Ghost Melodramas

Beautiful Terrible Ruins

Film and the Dream Screen

Emile Cohl, Caricature, and Film

The Body in the Mirror

Historical Dictionary of Film Noir

Landscapes of Loss

A Short History of Film, Third Edition

The Story of Film

America on Film

World on Film

Film Theory

The Horror Film

Hitchcock'S Films Revisited

The Skin of the Film

Audio-Vision: Sound on Screen

Film Theory

The Queer Art of Failure

Horror Film

Cult Cinema

The French New Wave

Romantic Comedy

From Mouse to Mermaid

Cavell on Film

Eye of the Century

Horror Noire

The Address of the Eye

Some Kind of Mirror

Postmodernism and Film

Palimpsestic Memory

Screen Adaptation

Production Design

The Matter of Images

Beyond the Monoplot

Hollywood Unions

Korean Film and History

Italian Style

American Independent Cinema

Existentialism and Contemporary Cinema

Cinema Wars

Chromatic Cinema

Helen of Troy in Hollywood

Wild Minds

Chinese Revolutionary Cinema

The Subversive Screen

Film als Raumkunst

Building Imaginary Worlds

Contemporary French Cinema

Cinematic Cold War

Men, Women, and Chain Saws

Postmodernism, or, The Cultural Logic of Late Capitalism

Leave the Gun, Take the Cannoli

Lost in the Dark

From Reverence to Rape

History and Film

Documenting the Documentary

Ecologies of the Moving Image

Electric Dreamland

The Vampire Film

Fashion In Focus

Teenagers And Teenpics

Shell Shock Cinema

Working Girls

Stars

A Short History of Film, Fourth Edition

Japanese Cinema and Punk

Studio Ghibli Animation as Adaptations

The Prop

Jean-Luc Godard’s Unmade and Abandoned Projects

Projected Fears

Cinema of Sincerity

Gilles Deleuze’s Structuralist Cinema-World

American Medium

Beyond Zombie Politics

Feminisms and Domesticity in Times of Crisis

Film as Argument

Straight White Men Can’t Dance

Cinema and the Indian National Emergency

Interface Frictions

The Intellect Handbook of Documentary

Hotels

Representations of Endymion and Selene

Eco-Theory and Annihilation

River Delta Futures

Abbas Kiarostami and Iranian National Cinema

Stillmoving II

Stillmoving I

In the Darkness of the Cinema

Archiving the Past

Land Cinema in an Age of Extraction

Paul Verhoeven’s Cinema of Violence

Light Thoughts

Network Theory and Nashville

The Gothic in times of crisis

Happiness and Tears, After Cavell

In the Mood for Texture

Rebel Without a Cause

A Transmedia Archaeology of Film Promotion Online

Cinema and Anachronism

The 'Before' Trilogy

Bringing Song and Dance to the Screen

Hester Street

Weimar Slapstick and Hollywood Comedy Transformed

Yugoslav Black Wave

The Red Years of Cahiers du cinéma

Theorizing Film Through Contemporary Art

Cinema Against Spectacle

Beyond the Essay Film

John Ford at Work

Nashville

Twin Peaks: The Return, Part 8

Absolute Pleasure

Taking Fiction Film Seriously

South African Horror Cinema

Shameless

Steven Spielberg's Children

Culture, Capital and Carnival

From Victimhood to Empowerment

Chantal Akerman

Generation Tarantino

The Haunted Cinema of Pedro Costa

American Medium

Reel Latinxs

Jean-Luc Godard’s Unmade and Abandoned Projects

Beyond Zombie Politics

Projected Fears

A Short History of Film, Fourth Edition

Feminisms and Domesticity in Times of Crisis

Film as Argument

Engaging Dialogue

Expressionism in the Cinema

The Cinema of Theo Angelopoulos

Intercultural Screen Adaptation

The Computer-Animated Film

Indefinite Visions

ReFocus: The Films of Elaine May

ReFocus: The Films of Sohrab Shahid-Saless

New Queer Cinema

Contemporary British Horror Cinema

Straight White Men Can’t Dance

Women and New Hollywood

There She Goes Again

Beyond the Lesbian Vampire

A Short History of Film, Third Edition

Interface Frictions

Dirty Harry's America

Historical Dictionary of Taiwan Cinema

Zombie Culture

Historical Dictionary of Russian and Soviet Cinema

Cinema and the Indian National Emergency

The Squid Cinema From Hell

Knights of Cinema

The Avenging-Woman On-Screen

Women and Comedy

Ingrid Bergman and Her American Relatives

The Films of Edgar G. Ulmer

Historical Dictionary of African American Cinema

Film Noir Light and Shadow

Debating Disney

Cult Films

Studio Ghibli Animation as Adaptations

Japanese Cinema and Punk

German Culture through Film

African Cinema: Manifesto and Practice for Cultural Decolonization

Pulp Fiction

The I.B. Tauris Handbook of Iranian Cinema

Bodies of Water

The Intellect Handbook of Documentary

Hotels

Where Is Abbas Kiarostami?

The Prop

Representations of Endymion and Selene

Eco-Theory and Annihilation

Cavell on Film

Typical Men

River Delta Futures

Abbas Kiarostami and Iranian National Cinema

Seeing Is Believing